Sunday, May 3, 2015

Genesee Country Village and Museum

On April 18, 2015 I visited the Genesee Country Village and Museum of Mumford, NY (just outside of Rochester.) The Genesee Country Village and Museum is mainly a "living Museum" with presentations, fairs and events focusing on living arts. Often they teach classes such as basket weaving, painting and other various art forms. They do however have a large gallery focused primarily on art. Specifically wildlife and sportsman art focusing on years from the 1600s to the 1900s.  I have been to this museum a number of times and was in the area visiting friends and excited to check it out again. I was very lucky because though they are closed for the season until May 9, I happened to hear through a friend they were having an antique show/sale and had part of the museum opened for that day. The gallery I focused on was The John L Wehle Gallery which was a completely separate building from the rest of the museum, which was still closed for the season. 
Photo from http://www.gcv.org/The-Gallery/

 The building itself is a beautiful rustic theme built to resemble a barn to fit into the country setting of the living museum. It's high clock tower and weather vane add to its charm. The entryway features simple wooden columns and benches perfect for resting and taking in the view. The wooden exterior painted a rich red make the building stand out among the others on the property. 


When you walk through the doors you are

greeted by a brightly colored red/maroon room first with beautiful hard wood floors. The ceilings were vaulted giving the room a big open feeling, without being overwhelming. The lighting was obviously well thought out and showed the art work brilliantly. The majority of the artwork was oil and acrylic. There were also a variety of bronze sculptures. Even though I loved all of the artwork, I found myself drawn to these the most. 

"The Outlaw" www.christies.com
"Bronco Buster" icollector.com
The next room was an inviting bright blue that featured similar works of art and more sculptures. Including two works by Fredric Remington. One was "Broncho Buster" which was Bronze; 22 3/4 x 18 3/4 x 14 in, in size.  The other was called "The Outlaw" Which was Bronze;  23" x 14" in size. The third sculpture I was drawn to was "End of Trail" By James Earle Fraser. All three of them were very similar in size and in mediums, they were all cast in bronze. They all featured a horse and rider, two are cowboys and the "End of Trail" features a Native American. while they all have similar detail "The Outlaw" has much more texture in the platform. All three of them had a stunning amount of balance to them and each captured the essence of the western art that was featured. Since all the sculptures were in cases and it was difficult to take photographs of them I used some I found online. 
 I have already planned my next trip to the museum with friends and look forward to seeing what else has been added. I have a new appreciation for the bronze sculptures since I took the class Art Appreciation because I really didn't know all the work that went into them and how they were actually made. Learning about casting was very beneficial to this trip to the museum, as I used to glance at sculptures and just walk on by.  Since I am very "outdoorys" I love the theme and style of the western and wildlife art that is featured. I could spend all day taking in all of the wonders of the John L Wehle gallery. If you are ever in the area of Rochester, NY it is well worth the visit!








Visit to The Bennington Center for the Arts

On May 2, 2015 I visited The Bennington Center for the Arts located in Bennigton, VT. The museum is a short 20 minute drive from my home taking mostly back roads to get to the rural type setting of the museum. It contained wide varieties of arts from modern to contemporary and even some regional.  There were sculptures, paintings, drawings and even rugs and blankets weaved by Native Americans. The museum itself seems to be located "off the beaten path" as I followed my GPS I wondered if I was actually going to arrive  anywhere or if I was going to get lost. There wasn't a big sign by the road just a simple small block lettered sign on the mailbox with an arrow pointing up the driveway, when I saw this I began to have my doubts about the credibility of this place.
 However as I turned into the driveway that led to a spacious parking lot, I was relieved to see such a beautiful albeit modern building.The building was fairly large, but not overpowering. It had a very welcoming appeal to it.  It had wooden siding a beautiful entry way with panel windows in the doors.

 I approached the front desk and paid my $9.00 admission and asked about the audio tour I had read about on their website. The woman at the front desk explained that it was actually out of date and would not be very helpful. I asked about photography and was informed it was okay to take pictures in the Floyd Scholz exhibit and the Covered Bridge exhibit, but not allowed anywhere else.

The art work was spread out in five rooms downstairs and four upstairs. The first gallery was off to the right of the entry way. All of the gallery's had a gray toned carpeting. This one currently featured "Winter Small Works Collection". I found the majority of the works were oil or acrylic. There were a few graphite drawings and one bronze sculpture. With approximately 70 pieces to observe I could have spent all day in that large open room alone. I took my time and checked out each individual work and was easily drawn to the oil painting "Walk with the Dog" by Kirk Larsen. I was intrigued by this work especially because of its intricate but tiny detail. There were two magnifying glasses hanging near the painting so you could look closely at the details. In order to see the smallest of parts, such as the skis on the man, you had to use both of them together. I also appreciated the atmospheric  colors of the work. The snow isn't just white, it is blue and gray as well. As I continued through the gallery I noticed the neutral color of the walls complimented  all of the paintings nicely.
Photo by Ian Wright and Jade Ware

I walked through the doorway and into a small hallway with stairs that led up to the Native American artwork, but I decided to wait until I finished this side of the downstairs first. I walked into the next gallery which contained the wooden bird carvings by Floyd Scholz. This is part of the permanent collection of the museum. The thirteen carvings were donated in 2004 by Drs. Myron and Karin Yanoff. This room had a more brightly colored tone and was very warm and inviting. The tags on the wall with each carving simply stated the name of it (usually the name was the bird that it was), the artist and the medium. There was little to no explanation on them, but really none was needed  The lighting was fantastic and did a great job showing off the sculptures and also cast shadows onto the walls that seemed to bring the exhibit to life! Each wood carving was either on a wooden pedestal or secured to the wall. Some were carved onto rocks, others perched on branches, but each one had a stunning amount of detail. Floyd Scholz did all the carving as well as the painting on each of the pieces. When I walked into the room I felt like I was actually being watched by all the eyes! . One of the Owl carvings had eyes so detailed and life like that no matter where I went in the room it seemed like he was always watching.


Other than the owl(which didn't have a card next to it) my other two favorite carvings in this exhibit were "Hermit Thrush" (To the right) and "Windigo" Eastern Red Tail Hawk, (below), which was the first bird inside of the door of the gallery. All three of these pieces had a lot of similarities, the balance and texture that they possess and the amazing detail makes these three capture the essence of the exhibit. Th e main difference was the postion that each bird was carved into and how they were perched. The owl was hung on the wall perched on a beautiful branch and was medium sized. The flow of the feathers could be seen and almost felt (even though you are not allowed to touch them.) The detail that had been painted to enhance the feathers was just stunning. The dark brown used on the back and wings blended easily into the light brown of the chest and the feathers were each laced with black, the white fuzz under the head on the front breaks the head away from the rest of the bird and blends into the whites and gray/black that lines the face and into the light brown around the eyes. "Windigo" was also perched, but on more of stump than a branch. It was also the only piece that had "prey" in its grasp. The balance and symmetry present brought the sculpture to life, this was one of the largest carvings in the gallery. "Hermit Thrush" was one of the smallest and seemed to have a deeper detail in the small frail legs. I felt as though I could hold out my finger and the small tan bird would have stepped onto it like in a movie. The eyes were not as intense on this carving as they were on the Owl and Red Tail Hawk

 I continued through the entire museum and was pleased with everything. There was four rooms upstairs three filled with painting, drawing and sculptures of Native Americans and one filled with various other portraits. The two final rooms downstairs were wildlife artwork. Everything was amazing and breath taking, but the Floyd Scholz was my favorite exhibit by far! I look forward to returning to The Bennington Center for the Arts and seeing what new exhibits they have for the Spring/Summer.